December 04, 2013

Accenture Study Finds Innovative Technology and Pricing Options Key to Building Next Generation of Arts Supporters

NEW YORK; Dec. 4, 2013 – In a recent Accenture survey of U.S. consumers, only 35 percent give money to the arts and less than a third are “highly committed” to their local arts organizations. The survey covered consumer attitudes and behaviors in 13 cities with large art communities across the United States. The findings suggest that more pricing options and the convergence of digital technologies to communicate with patrons would increase support for the arts.

The findings support a key trend identified in the Accenture Technology Vision 2013 that organizations that adopt available technologies in social, mobile and analytics to develop digital relationships will be better positioned to take advantage of rapidly shifting business opportunities including improving customer loyalty.

The report found more than half (54 percent) of respondents go to a museum or attend a performing arts event three to four times a year because they “like the exhibit or artist” (72 percent). About 60 percent characterized going to a museum or attending performing arts events as “educational” and 57 percent said they are “passionate” about the arts. Yet, when asked what keeps them away from museums or performing arts events, more than a quarter (29 percent) of respondents said the arts are “too expensive” and 22 percent said they “aren’t top of mind activities.”

When asked what would encourage repeat attendance with arts events/activities, respondents of all ages overwhelmingly preferred different pricing packages (63 percent) while more than a quarter of respondents (28 percent) liked the idea of frequent patron promotions.

“Like any other business, arts organizations need to better understand what motivates their customers as well as how to target more donors and increase customer loyalty to achieve long-term success,” said Elaine Turville, who leads Accenture’s U.S. nonprofit practice. “This survey reveals that to attract and retain customers, many arts organizations need to adapt their business, financial and communication models to better meet the needs of their customers and donors.”

When asked what kind of financial support they make to the arts, 65 percent of respondents don’t make separate donations, aside from the cost of membership and attendance at events. Of that, respondents in Minneapolis (47 percent), New York (46 percent), Washington D.C. (43 percent) and Boston (43 percent) had the largest number of donors. Expense (57 percent) and lack of awareness (27 percent) were the major reasons for not attending fundraisers. These, along with lack of time (42 percent), are cited more often with responders ages 18-25.

Respondents in all age groups said mobile technology can enhance their experience with the arts. In fact, 37 percent of consumers said offering “an app with the latest calendars and exhibit features” would enhance their experience and 31 percent like the idea of arts organizations learning their preferences and suggesting events or exhibits that may interest them.

Respondents preferred technology communication methods ranging from mobile apps and active-learning features to text alerts about special events, which 47 percent of patrons ages 18-25 cited. This age group also strongly preferred more direct communications, like email (63 percent) and social media interaction (33 percent). Half of all respondents said that Facebook is the preferred social media channel to receive information about the arts.

“Similar to so many organizations and businesses today, the arts are looking for new ways to connect with the millennial generation,” said David Wilson, managing director for Accenture’s North America state and local government practice and board member of the Guthrie Theater in Minneapolis. “This survey suggests that embracing new technologies and communications tools is crucial for arts organizations to remain relevant to the next generation of supporters.”

The survey, conducted by Accenture, was based on an online questionnaire of 500 consumers ages 18 and older in 13 U.S. cities with large art communities: Atlanta, Boston, Chicago, Dallas, Denver, Houston, Los Angeles, Minneapolis/St. Paul, New York City, Philadelphia, San Francisco, Seattle and Washington, D.C. It examined attitudes and behaviors surrounding patronage, financial support and engagement in the arts.

About Accenture
Accenture is a global management consulting, technology services and outsourcing company, with approximately 275,000 people serving clients in more than 120 countries. Combining unparalleled experience, comprehensive capabilities across all industries and business functions, and extensive research on the world’s most successful companies, Accenture collaborates with clients to help them become high-performance businesses and governments. The company generated net revenues of US$28.6 billion for the fiscal year ended Aug. 31, 2013. Its home page is

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Kate Shenk
+ 917 452 3784

Allison Yeaman
Burson-Marsteller for Accenture
+ 214 224 8421